2010, The Other, Karen Woodbury Gallery, Melbourne
Titania Henderson, Message Sticks, 2009, bone china porcelain and French Limoges porcelain, 4.0 x 70.0 x 28.0 cm variableTitania Henderson, Listening II, 2010, bone china porcelain and French Limoges porcelain dimensions variableTitania Henderson, Silence, 2010, bone china porcelain, 36.0 x 25.0 x 20.0 cm variableTitania Henderson, Light & Shadow Couple, 2010, bone china porcelain, 11.0 x 10.0 x 40.0 cm variableTitania Henderson, Connection, 2010, bone china porcelain, 36.0 x 12.0 x 16.0 cm variableTitania Henderson, Circle of Life, 2009, bone china porcelain, 7.0 x 20.0 x 27.0 cmTitania Henderson, Remembering, 2010, bone china porcelain, 37.0 x 30.0 x 25.0 cm variableTitania Henderson, Piled Up I (Yellow), 2009, bone china porcelain with black bone china porcelain, 25.0 x 52.0 x 38.0 cm variableTitania Henderson, Piled Up III (Yellow), 2009, bone china porcelain with black bone china porcelain, 25.0 x 52.0 x 38.0 cm variableTitania Henderson, Together II, 2010, bone china porcelain with 5 black china porcelain inserted forms, 14.0 x 32.0 x 35.0 cm variableTitania Henderson, The Other, 2010, bone china porcelain, 36.0 x 8.0 x 9.0 cm variable
Photographs by Garry Smith
20 October – 12 November 2010 The Other, Karen Woodbury Gallery, Melbourne
Titania Henderson’s exhibition The Other presents a range of ceramic sculptural installations in pure white Bone China that convey a three-dimensional engagement. A fragility and vulnerability resonate through these poignant paper-thin configurations, bringing a sense of clarity and freedom. These hand built works challenge the conception of Bone China as a material only suited for slip casting. Henderson’s method involves perseverance, technical proficiency and precision, as she creates her own language of rhythmic ceramic art. There is an inherent translucent character that appeals to elements of shadow and light within the works. This new body of work is based on ideas of the human conscience and larger philosophical ideas beyond the objects themselves and beyond language.